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THE VISUAL ARTS IN | YEAR REVIEW
We invited curators Boyana Djikova, Martina Yordanova, Vladiya Mihaylova, and Vessela Nozharova to reflect the past year in the Bulgarian art. Following three years of substantial funding in the field, we observe a surge in overproduction, yet simultaneously witness the emergence of new directions in subjects and techniques. What transpired in , and what anticipations can we have for the upcoming year? Viktoria Draganova, editor-in-chief of the Journal for Social framtidsperspektiv, asked the questions.
What are the big topics of the passing year in Bulgaria?
Vessela Nozharova It seems like there is not one big theme, but many small ones. There is also a large amount of production – events and artworks that have been funded in the last two years. You could say that there is already an accumulation of new experiences and bringing out topics that lead to new trends.
Vladiya Mihaylova I think there is reason to say that is the year of the N
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The Cold War from the Margins: A Small Socialist State on the Global Cultural Scene
CHAPTER 1
The Contradictions of Developed Socialism
In his address to the Bulgarian people delivered on 20 October , the general secretary of the Bulgarian Communist Party (BKP) and chairman of the State Council of the People’s Republic of Bulgaria (NRB), Todor Zhivkov, reminded his listeners: “We are on the threshold of a major national celebration—the th anniversary of the Bulgarian state, one of the oldest states of europe, which emerged on the ground . . . of the ancient civilizations in our lands, covered a long distance in its development, and has now reached the highest peak in contemporary progress—the triumph of the socialist social order.” The speech skillfully outlined an appealing national narrative, charting in significant detail the history of the Bulgarian people, “situated in one of the most neuralgic [sic] regions of the planet . . . at a crossroads between East and West,