Analysis poema epigrama ernesto cardenal biography

  • His early poems, collected in Epigramas (1961), denounce the senseless violence of the Somoza regime in Nicaragua, while others are love poems written with a.
  • This article examines the social dimensions of Ernesto Cardenal's early lyric poetry.
  • In chapter four, I analyze the poetic-artistic experiments with epigrammatic form of three poet-artists: former core member of the Chicanx art collective Asco.

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    Spanish Studies: Literature, 1490–1700

    1 General

    The volume Representing Women’s Political Identity in the Early Modern Iberian World, ed. by Jean Andrews and Jeremy Roe (London: Routledge, 2021), 358 pp., includes several interesting chapters. Annemarie Jordan Gschwend, ‘The Monastery I Have Built in this City of Madrid: Mapping Juana of Austria’s Royal Spaces in the Descalzas Reales Convent’ (127–145), provides a detailed and scholarly account that repays reading despite the awkwardness of the English, including as it does, in addition to much fascinating detail on the nunnery itself and Juana’s apartments in it, sensible comments on the 1559 portrait by the court painter Alonso Sánchez Coello, now in Bilbao, and on Juana’s role at court after she ceased to be regent for her brother—successively as counsellor, companion/adviser on protocol to Felipe II’s wives Isabel and Ana, and doyenne of what Gschwend calls the ‘feminine spaces’ in the king’s severa

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    Love’s Sanctuaries: Erotic Spatiality and the Agora in Ernesto Cardenal’s Epigramas.

    Vol. 12, No. 2, Winter 2015, 377-400 Love’s Sanctuaries: Erotic Spatiality and the Agora in Ernesto Cardenal’s Epigramas. Barbara Fraser-Valencia Independent Scholar Ernesto Cardenal, the Nicaraguan poet-priest known for his support of the Sandinista revolution and his Spartan aesthetic exteriorismo, began his literary career writing love poetry. Prior to his religious calling, Cardenal experimented with an erotic lyricism that would continue to inflect both his political and religious verse afterward. Yet this side of Cardenal remains underexamined by literary critics, particularly those interested in the social dimension of his writing. The view, clearly articulated by Yvette Aparicio and others1, is that the poet’s early erotic verse, particularly the 1957 work Epigramas, is too beholden to the poet’s Aparicio’s online article cites two similar perspectives held bygd Ariel Dorfman and Santiago Day

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    ed altri collaboratori hanno pubblicato nel 2012 un codice papiraceo fi nora inedito, di autore non precisato. Wilkinson è convinto che il P. Ct. YBR Inv. 4000 [MP 3 1333.01; LDAB 145316] contenga almeno un epigramma di Pallada. 1 La... more

    ed altri collaboratori hanno pubblicato nel 2012 un codice papiraceo fi nora inedito, di autore non precisato. Wilkinson è convinto che il P. Ct. YBR Inv. 4000 [MP 3 1333.01; LDAB 145316] contenga almeno un epigramma di Pallada. 1 La scrittura del papiro, una corsiva documentaria, può essere datata all'incirca prima dell'anno 350 d. C., o comunque nella prima metà sektion IV sec. d. C. uppgifter questa datazione -per altro, di recente messa in dubbio da altri 2 per quanto attiene alla certezza ed alla possibilità di determinare effettivamente un terminus ante quem -e dato il fatto che il papiro, a parere di Wilkinson, riporterebbe almeno un epigramma di Pallada, Wilkinson propone di retrodatare il nostro autore di almeno sessanta anni. 3 Inoltre

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