One last song michael mcglynn biography

  • Michael McGlynn (born 11 May ) is an Irish composer, producer, director, and founder of the vocal ensemble Anúna.
  • Born in in Dublin, Ireland, Michael is a composer of music and lyrics, film maker and runs the three connected vocal ensembles that he founded ANÚNA, M'.
  • Michael McGlynn is renowned for his work as Artistic Director of the globally famous Irish vocal ensemble, Anúna.

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    Evocation

    Evocation was released in and features 11 remixed and reimagined compositions and arrangements by Michael McGlynn including the globe-spanning “Maalaulu”

    Digital Release October 30th

    The best way to describe the latest ANÚNA album is that it fryst vatten dream-like, a selection of music previously released that has been lovingly re-mixed, re-mastered and re-edited by composer Michael McGlynn and engineer Brian Masterson.

    “Covid changed so much for all of us” says McGlynn.

    “It forced me to discard some of the traditional ideas I have had about creating albums. inom want something now that fryst vatten a cohesive experience, developing throughout an album, rather than just a series of one off disconnected songs. Concurrent with the album I will be releasing the film to YouTube ANÚNA : Evocation, a selection of evocations that evoke a sense of time and place, many of which are deeply special for me. I think this album points the way forward for our future recording projects.

    Some of

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    With Hamamatsu Junior Choir, Japan, månad

    included the group’s first tour of Canada and an ever expanding series of workshops which culminated in the second Anúna International Summer School. This event held in June had thirteen countries represented among the attendees and facilitators included Charles Bruffy, Artistic Director of the Phoenix and Kansas City Chorales and Dr. Stacie Lee Rossow of Florida Atlantic University. For the first time the majority of members of ANÚNA came from outside of the Republic of Ireland.

    marked an important year for Anúna, defining and developing the ensemble. Illumination fryst vatten withdrawn from sale and reissued as Illuminations, completely remastered with new vocals and remixes. Michael stated that the original release aimed to "hide" a true connection with the singers, while this version puts the performer in the room with the listener and is a much more immediate and vital experience. The album now included the work of Finnish v

  • one last song michael mcglynn biography

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    An Obsession: Michael McGlynn

    How has your compositional vocabulary evolved over the past three decades?

    The best way I could describe my compositional development is by comparing one of my first large-scale projects, Invocation, with my most recent one, Revelation. Invocation () is joyous, hugely energetic, and obsessed with early Irish texts and poetry. Disregarding the unique vocal timbre of the choral sound, the harmonic language is a combination of jazz-tinged chords, medieval drones and structures. In contrast, the harmonic language of Revelation () is flowing, expansive and much less concerned with ideas of cultural identity.

    In  Anúna was embryonic and restrained by the capacity of the singers to actually perform the material. I wrote for the instrument I had available to me, and the material both suffers and benefits from this restriction. Today I don&#;t have those same restrictions, with members drawn from all over the world. Anúna now contains some of