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Christoph Graupner (1683-1760)

Biography

Who was Christoph Graupner?

That one can even write about Christoph Graupner (1683–1760) marks a peculiar failure of his planerat arbete to erase himself from history. Had he been successful, his entire corpus of works — some 1,400 cantatas, over 100 sinfonias, and more — would have been entirely destroyed. In an anonymous biographical notice published in 1781, some twenty years after his death, the author writes that Graupner

“had his eccentricities, like all great men; he would not permit a painting of himself to be made, and when they tried to do it without his knowledge after he went blind, he became very angry when he found out; he also demanded that before his death, all his musical works should be burnt, a command which, to the benefit of the musical world, remains unheeded. He would also have forbidden the present biography, if he had known of it, but we believe that we need not give in to the excessive modesty of a man who works for a

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Christoph Graupner Vinyl Records & Discography

Who is Christoph Graupner? A Brief Career Overview

Christoph Graupner, a name that echoes through the halls of baroque music, is not just a talent, but rather a cornerstone of the late baroque era's expressive richness. Born on January 23, 1683, in Hartmannsdorf near Kirchberg, Graupner was a composer and harpsichordist whose work has significantly shaped the landscape of classical music. He is often celebrated for his monumental contributions to the realm of religious and instrumental music, producing a startlingly prolific catalog of over 2,000 works, including more than 1,400 church cantatas.

While Graupner's contemporaries include the likes of Johann Sebastian Bach and Georg Philipp Telemann, his unique qualities set him apart. His style seamlessly blends German and French musical elements, characterized by his complex orchestration and remarkable ability to compose for a variety of instruments. This multifaceted approach has