Edipo rey pelicula pier paolo pasolini biography
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Pier Paolo Pasolini
Italian writer, filmmaker, poet, and intellectual (–)
"Pasolini" redirects here. For other people with that surname, see Pasolini (surname). For the film, see Pasolini (film).
Pier Paolo Pasolini | |
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Pasolini in | |
| Born | ()5 March Bologna, Kingdom of Italy |
| Died | 2 November () (aged53) Ostia, Italy |
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| Almamater | University of Bologna |
Pier Paolo Pasolini (Italian:[ˈpjɛrˈpaːolopazoˈliːni]; 5 March – 2 November ) was an Italian poet, film director, writer, actor and playwright. He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.[1][2][3][4] He is known for directing The Gospel According to St. Matthew, the films from Trilogy of Life (The Decameron, The Canterbury Tales and Arabian Nights) and Salò, or the Days of
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Oedipus Rex
Synopsis
Sophocles meets Freud in Pasolini’s astonishing reading of the Oedipus myth. Franco Citti plays Pasolini-as-Oedipus in an ‘ethnographic’ telling of the ancient tale of a man fated to solve the riddle of the sphinx, kill his own father and marry his own mother. The approach is anything but purist (Moroccan locations, a world music score), while an autobiographical prologue and epilogue bring it all back home to the author.
Official Trailer
Director Biography
Pier Paolo Pasolini, (born March 5, , Bologna, Italy—died Nov. 2, , Ostia, near Rome), Italian motion-picture director, poet, and novelist, noted for his socially critical, stylistically unorthodox films. The son of an Italian army officer, Pasolini was educated in schools of the various cities of northern Italy where his father was successively posted. He attended the University of Bologna, studying art history and literature.
Director
Pier Paolo Pasolini
Cinematographer
Giuseppe Ruzzolin
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Italian director, screen writer, författare av essäer, poet, critic and novelist, was murdered violently in Pier Paolo Pasolini is best known outside Italy for his films, many of which were based on literary sources The Gospel According to Saint Matthew, The Decameron, The Canterbury Tales. Pasolini referred himself as a "Catholic Marxist" and often used shocking juxtapositions of imagery to expose the ills of modern kultur. His friend, the writer Alberto Moravia, considered him "the most important Italian poet" of the second half of the 20th century, Montale being that of the first half.
"In neorealistic film, day-to-day reality is seen from crepuscular, intimistic, credulous, and above all naturalistic point of view In neorealism, things are described with a certain detachment, with human warmth, mixed with irony characteristics which I do not have. Compared with neorealism, I think I have introduced a certain realism, but it would be hard to define it exact