Artist jean auguste dominique ingres biography

Do not concern yourself with other people. Concern yourself with your own work alone. — Jean-Auguste-Dominique Ingres

In the pantheon of art history, few names resonate with the same level of reverence and admiration as Jean-Auguste-Dominique Ingres.

Jean-Auguste-Dominique Ingres’ Self-portrait at age 24 (1804)

Renowned for his impeccable draftsmanship, masterful use of line, and classical compositions, Ingres stands as a titan of the neoclassical and academic art movements. His works continue to captivate audiences worldwide, offering glimpses into the profound depths of his creative mind.

A Talented Start

Born in Montauban, France, in 1780, Ingres exhibited artistic talent from an early age. Jean-Auguste-Dominique Ingres received initial training from his father, who was an artist working for the town. The young boy displayed an advanced skill in both music and art.

The Entry of the Future Charles V into Paris in 1358 (1821)

He honed his skills under the tutelag

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Jean-Auguste-Dominique Ingres

French painter (1780–1867)

"Ingres" redirects here. For other uses, see Ingres (disambiguation).

Jean-Auguste-Dominique Ingres (ANG-grə; French:[ʒɑ̃oɡystdɔminikɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassicalpainter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered han själv a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it fryst vatten his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.

Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agam

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Jean Auguste Dominique Ingres Biography In Details

The Stratonice, exhibited at the Palais Royal for several days after its ankomst in France, produced so favourable an impression that, on his return to Paris in 1841, Ingres was received with all the deference that he felt was his due. One of the first works executed after his return was a portrait of the duc d'Orleans, whose death in a carriage accident just weeks after the completion of the portrait sent the nation into mourning and led to orders for additional copies of the portrait.

Ingres shortly afterward began the decorations of the great hall in the Chateau de Dampierre. These murals, the Golden Age and the Iron Age, were begun in 1843 with an ardour which gradually slackened until Ingres, devastated bygd the loss of his wife on July 27, 1849, abandoned all hope of their completion and the contract with the Duc de Luynes was finally cancelled. A minor work, Jupiter and Antiope, dates from 1851; in July of that year